Monday, August 24, 2020

Captains' Courageous in Space Chapter 1: Overboard

 

Overboard

The transit between Jupiter’s moon Io and Mars was, by all accounts, a normal one. In the ship’s holodeck, a well-dressed Martian-born man with a long beard and glasses sipped from a flask of Earth-grown brandy. Two other men sat with him, one of them being a native of the sky colonies of Venus, who made his fortune selling powdered oxygen; and the other an entrepreneur from Luna who owned a large number of intersystem freighters. All three of them were focused on a table of the game Pristese, a popular gambling avenue among those blessed by luxury. The holodeck windows were, at the moment, displaying a beautiful beach with white sand, green palms, and beautiful blue ocean.

“Have you heard about that boy Carl?” said the Martian. “I hear his father owns the two biggest non-equatorial space elevators on planet Earth. He’s a right brat about it, too. His mother is a softie and he gets away with murder when he’s around her.”

“Two million credits a month, is his pocket change,” said the Venitian. “And he does with it as he pleases.”

The Lunatian chuckled. “Pisces,” he said, putting forth his sticks in the game they were playing. He took in a big draught of his nicotine vape, blowing out a cloud of sweet, sickly smoke. “His mother is a fragile lady. Not the kind of woman who would go about disciplining her child.”

The door to the holodeck opened and a young boy of about fifteen entered. He was wearing the latest in smart technology, a pair of augmented reality glasses on his face, and a well-tailored old-fashioned suit on his chest. His countenance was childish, too young for his age.

“You fellows open to take another player?” he asked. He took out a small vape and puffed it.

“You’re far too young for this game, lad,” said the Martian. He tapped his painted fingernails on the game board.

“If you don’t let me play, I’ll make you regret it,” said the boy.

The Martian looked at his compatriots and frowned. “What, are you going to complain to your mama?”

The boy wrinkled his nose in disgust. “What if I paid you to let me join?” He reached into his pocket and pulled out a cred stick.

The Pristese players shuffled the table and the tiles without a break in their motion. The Martian took another puff of his vape. “You want to play?” he said. He extended his hand, and in it was a pill. “Prove you’re a man. Take this pill.”

Now, Carl always fancied himself the adventurous type, and he wasn’t about to let himself look like a coward in front of these prestigious spacers. He took the pill. “What kind of a drug is this?” he said.

“A happy drug,” said the Martian, a glint in his eyes. “It will make a man out of you.”

Carl’s vision began to swirl, and he moved his arms in front of his eyes, admiring the tracers. “This is some strong stuff,” he said. He turned towards the door of the holodeck. “I think I’m going to go get some air.”

“We’re in space, boy,” said the Venutian. “There’s nowhere to get—”

Carl walked out of the room, the door closing behind him. He wandered through the hallways of the luxurious space cruiser, admiring the pretty colors that swam across his vision. He came to a more industrial-looking part of the liner, with five sets of tubular entrances on either side of the wall. One of them was open, wires coming out of it, and a sign that Carl could not read in his stupor, but which said “Danger. Under maintenance.”

Carl stumbled into the open crevice and caught sight of a control panel. He sat down in the escape pod’s helm and began tapping away at the controls, thinking he was back on the pod racing circuit.

The door to the escape pod closed, and a sharp force pressed Carl against the back of the chair.

“Ahaha,” he said, his world turning shades of green and blue. “I’m a dragon …” And then he blacked out.

He came to inside of a tiny, cramped room inhabited by a single, tough-looking man who appeared to have grown up on a planet with high gravity. His muscles bulged and his form was stocky. He turned his gaze to look at Carl.

Carl felt his stomach float in his abdominal cavity, as if he were at the top of a roller coaster. He vomited into the air, and it collected into an expanding ball of acidic goo.

The stocky man sighed and took out a small vacuum, sucking up the contents or Carl’s stomach. He placed it neatly back in its place.

The drug’s effects had worn off, leaving just a small afterglow.

“Where am I?” said Carl.

“Where?” said the stocky man. “AB-Four-two-seven.”

“That doesn’t mean anything to me!” said Carl. “Do you know who I am? I’m Carl Rube, and my father will find me.”

“Ah,” said the man. “The name’s Derrick. Why don’t you settle down there so I can meet my quota of H-3 and nickel.”

Through the glass port at the front of the small dinghy, Carl could see an asteroid approaching.

“What, what’s that?” said Carl.

“Why that?” said Derrick. “That’s the money.” A drill extended from beneath the dinghy, and began lasering the asteroid, breaking off misty chunks. The rocks were broken into smaller pieces by a secondary laser, and then a stasis field sorted out the valuable elements into loosely configured balls of material. An outer vacuum snaked through the debris and sucked up the concentrated balls of material. The dinghy shook with eve motion, as if it were about to spring a leak and depressurize at any moment.

After an indeterminable amount of time, the dinghy disengaged and headed towards a small light in the asteroid field. The light turned into a small schooner class spaceship that looked like it had been cobbled together from at least three other ships.

“We’re last in today, eh?” said Derrick. “I hope we have enough cargo to make that worthwhile.”

The dinghy docked with an airlock on the side of the mining ship. The doors opened and Derrick floated through with ease.

“How do I get up there?” said Carl.

“It’s on the floor, dude!” said Derrick, before disappearing down a corridor.

All of a sudden Carl was upside-down. He felt like vomiting again, but kept it down. Grabbing on to a piece of equipment, he oriented himself, and then floated down through the airlock to the ship proper.

A young kid about his age floated through the cramped hallway. “Heyo!” he said. “The name’s Jake.” He extended his hand. “I’m the son of the captain here on board the Let’s Go. He wants me to take you to meet him.”

“Good luck with that,” said Derrick, floating past.

Carl fished around in his pocket for his credit sticks, so that he could give one to Derrick in thanks for saving him. They were gone. Unwittingly, he had almost caused himself huge embarrassment, and once he knew Derrick he would understand how close he came to being an absolute idiot.

Derrick floated up into a hole above Carl and disappeared.

“This way,” said Jake.

Carl followed with a clumsy hand, several times bumping into exposed electronics and equipment. By the time he made it to the statesman’s cabin, he was covered in bruises.

A tall, thin man, clean shaven, with bright piercing eyes was floating in the stateroom.

“Thank you, Jake,” said the man. He extended his hand. “My name is Thomas Grook.”

“If you turn this ship around and take me straight to Mars,” said Carl, “I’ll be certain that you get paid triple whatever this ship is worth.”

“Ha!” said Thomas. “Derrick told me he smelled some psychoactive compounds on you. You’re still not sober. Why don’t you go down and get something to eat before you do something stupid.”

Carl slammed his hand against the nearest wall, causing him to spin in the opposite direction. “You stole my credits, as well,” he said. “They were in my pocket and now they’re not.”

Thomas pushed off his seat with practiced ease and came close to Carl. “I can take a lot of things,” he said, “But I can’t take being called a thief.”

“And a thief is what you are!” said Carl.

Thomas slapped him.

Carl spun in a circle and crashed into the wall.

“Jake!” said Thomas. “Get this boy back to the sleeping compartment so he can cool his head.” He turned away. “The boy fancies himself a fairy or something like that.”

Jake gave Carl a light smile. “My father rarely gets angry,” said Jake. “You must have done something stupid to earn his wrath. My father is nothing if not just.”

“I just demanded him to turn this ship around so that I can return to where I belong.”

Jake chuckled. “Well, whatever you demanded of him, it must not have been very smart. He only gets angry when people put down the things he loves.”

“I did say something about giving him three times what this ship is worth.”

Jake laughed out loud. “Yep. That’d do it. If anyone insults the Let’s Go, he earns himself a knock in the teeth.”

Carl sighed as he entered into a small bunk area that looked just big enough to fit four people, sardine style.

“There are eight people on this ship, including you,” said Jake. “The seven of us crew members share this compartment. We hot bunk.”

“Hot bunk?” said Carl.

“It means we share beds. When one person is awake, another is sleeping.”

“Um, Derrick, he said something about this being a mining operation?”

“Indeed it is,” said Jake. “We’re belt miners. We make our living out in space, free form the stifling atmosphere of a planet or moon.”

Carl turned towards the door. “You look kind of young to be working as a space miner.”

“Been doing it since I was a kid,” said Jake. “I’ve known nothing but.”

Carl sighed, putting his hand in his now empty pocket. “I think I owe Thomas an apology,” he said.

“You know where his stateroom is,” said Jake. “I’ll be waiting here.”

Carl floated through the corridor until he came back to the state room. The door was closed. He knocked.

“Yes?” said Thomas.

“I want to talk with you,” said Carl.

“Go ahead,” said Thomas. The door opened.

Carl floated in. “I apologize for my behavior earlier. I didn’t realize you held your ship in such high regard.”

“Well, she is the best ship this side of the Kuiper belt,” said Thomas. “And there’s no denying that.”

“I wasn’t trying to offend you,” said Carl.

“Good,” said Thomas. “On this ship, you don’t eat unless you work. After you meet the crew, I’ll have Derrick and Jake teach you a thing or two about working the mining dinghies. We lost one of our crew just a week ago in a depressurization incident. He was not much older than you are now.” He paused. “You still up on that fantasy of yours about being a king and all that?”

“No sir,” said Carl. “I don’t think anyone would believe me, anyways.”

“That’s a good way to think about it,” said Thomas. “Great. Get some sleep and we’ll wake you up next rotation so that you can start being an asset to our crew.”

“How long has Jake been working on a mining crew?” asked Carl.

“Long enough,” said Thomas. “Now get to sleep. It’s the most valuable commodity we have aboard this ship, besides our crew.”

Carl nodded, and backed out of the stateroom. He floated through the corridors until he came back to the tiny sleeping berth. Each bed contained a sleeping bag that was attached to the wall. Carl had never tried sleeping in zero g before, but he fell asleep before he could contemplate much more than that.

 


 

2

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Sunday, August 23, 2020

AI Dungeon is a real treat

Who would have thought that an interactive AI could say something as cool as "Leave the bodies be. The buzzards and rats can have them" after defeating a bunch of "wolves," otherwise known as "the hooded men" or "the shadow guard." They worship a monolithic entity called "The Great Wolf" and their leader, "the Old Alpha." 

Every single piece of lore was generated by an AI algorithm. After defeating the shadow guard, me and my party went to a town to try and recruit soldiers to fight against the wolves. On the way I asked one of my party members, Ant, who he was, and he gave me a backstory fit for any real NPC. Except: it was all AI generated!

Holy moly, the AIdungeon architecture is amazing. I'm on the edge of my seat. And this is just an artificial intelligence! 

I always have fun, playing around with AI. This is just one of those times. AI is going to keep improving, and before we know it we will have AI sentience. 

Here's a quote. When one of my party members said he was a monster, I told him he wasn't. "I guess I'm not," he said. "But I wish I was one. That would make things a lot easier."

That's the most philosophical thing I've ever heard an AI say. 

Friday, August 21, 2020

Why I believe the government must subsidize food production, even as a libertarian.

I have to say beforehand that I am not an economist and I do not understand the full depth of what I am talking about. These are just the thoughts that I have about our current situation. 

I believe in small government and the power of private business to fulfill almost all needs a human may have or want. The free market is powerful and produces efficient, cheap, and high-quality products at ever-increasing scale. Where there is demand for a product, companies will make more of it. For example, all luxury goods (everything from computers to dresses) are greatly benefited by capitalism. However, there are some goods that are not very compatible with capitalism. Stay with me here. 

When a good is a) very easy to produce; b) has a limited possible demand; c) has a lag between commitment and production; and d) is necessary for survival, you get a good that is not treated well by pure capitalism. 

Let's start with a. Food is, actually, very easy to produce. So easy to produce that, if people were left to their own devices and planted all the food they wanted, prices would drop to below profit margins for everyone and everyone would lose money, thus causing a retraction of planting in the next harvest. Market swings like this are tolerable for non-essential goods, and even non-essential foods, but a single shortage of food could cause huge problems to any society. 

Secondly, people can only eat so much food. Demand for food rarely goes up, and when it does it's because a new market for processed goods has emerged. Take orange juice, for example. When California growers encountered the problem outlined by a, they decided to turn their oranges into juice. Every bottle of juice contained many more oranges than could be eaten normally by people. The growers artificially increased the demand for oranges. Behavior like this is part of capitalism and it should be encouraged, but it illustrates that in order to increase food demand one has to upturn the status quo and come up with new ways to use things. But demand for food doesn't grow infinitely.

Third, prices of food fluctuate faster than food grows. Food is a special good in that it must be planted at least four months before harvest, and in that time prices of food can change enough to influence the next harvest. This is an example of the "tragedy of the commons." When food prices are high, everyone plants more food for next year. But when next year comes around, because everyone planted so much food, the prices go down and farmers lose money. And then, because food prices are so low, they plant less food, and next year there is a food shortage. One of the main boons of capitalism is market fluctuation. It's a good thing for the market to decide what a car is worth, or what a house is worth. Those do not spoil and can be assembled relatively quickly. However, the hidden hand of capitalism works like a pendulum around an attractor. Because food production is delayed in reaction to its price, this pendulum-like motion is increased. Thus, we can have a glut of food one year, and then high food prices the next, and so on and so forth. 

And finally, food is necessary for survival. If food prices are too high, the people suffer. If car prices are too high, people take the bus. If house prices are too high, people pick a cheaper place to live. But if food prices go up, what are they to do?

And this leads to what I call the "value of the glut." The best way to manage food production is, in fact, to a) pay people not to produce food; b) buy food and destroy it; and c) subsidize the food that is produced.

What is best for society is a little bit too much food at middle of the road prices. The key to this is working within the free market as a government to regulate food prices through manipulation. If, one year, people produce too many potatoes, buy enough to settle the balance between price for the consumer and profit for the farmer and destroy them or give them away to the poor. This is where government cheese came from. I believe it was Reagan who instituted this policy, and he is touted as one of the most conservative presidents of this century. Food destruction may seem wasteful, but the alternative, which is not enough food, is worse. 

Now, there probably is a completely pure market balance that could be achieved without government interference. The orange juice story is an indicator of this. If people find themselves with too much product, they can be creative and find ways to sell it as something else. 

Another story about too much food causing innovation. One day, a certain meat company had produced far too many turkeys for thanksgiving. For weeks they sent the refrigerated cars holding the turkeys from one place to another, trying to sell them. One day, an employee had an idea: what if we froze the turkeys and sold them as meals to be reheated? 

And thus, the TV dinner was born. The company sold all their excess turkeys and we gained a valuable part of American cuisine. 

However, because of the actions of people like FDR during the Great Depression, our economy is hooked on the drug that is subsidization. Like an opioid addiction, it started at first as a way to relieve immediate pain, but then became an addiction that would cause severe withdrawal systems if we were ever to go off it. I believe that, if allowed, the free market will pull an orange juice or a TV dinner for overproduction and create more wealth and good things than anything government economic triage will ever do. 

I will leave you with this quote, which I will paraphrase from the book 1984. "War is just a way for countries to get rid of overproduction."

Friday, August 14, 2020

Why I like electro swing

 I'm a big fan of electronic music. My idea of a banger song has a lot of bass and hard rhythms. Before I got into this scene, I did not realize how wide and expansive it really is. There's dubstep, chillstep, darkstep, glitch hop, and electro swing. My favorite of the bunch at the time of writing is definitely electro swing. 

Generally, these songs come in compilation videos that are about an hour long, featuring cool anime artwork. The art of these videos, while probably stolen from the internet, is part of the experience of this particular genre.

It's been a hundred years since the dawn of the swing era. One of my favorite ES songs references it. There are a lot of talented artists and groups making this stuff. 

Electro swing has the perfect balance between old and new. While I will probably move out of this phase of my musical life eventually, I'm happy to enjoy what I have in the moment. 

Thursday, August 13, 2020

Jokes that rely on semantic ambiguity are stupid

Here's one. 230 - 220 X 0.5 = what? 
You'd be surprised that it's actually 5!

If you didn't get it by looking at it (which I doubt you did) the answer is that the answer is "five factorial," or 120. 5! is five factorial. Sigh. 

I do not like these kind of jokes because the only purpose is to create an "in group" and an "out group." This is not a puzzle with a solution that makes you feel clever. It's the opposite. When someone else tells you the answer, you invariably feel stupid. I think these jokes propagate because people who felt stupid about it like making other people feel stupid about the same thing. 

It's not funny. It just makes people feel stupid. There is no puzzle. It's ambiguity that causes the punch line at the expense of those who don't get it. Even if you're told the answer, the lingering feeling that you were too stupid to notice it remains. Sigh. Jokes that rely on ambiguity are my least favorite form of humor. So, why do I keep seeing them on Facebook? Maybe because FB is the perfect place to propagate these kinds of things. A real puzzle works like a math problem, not a punch line camouflaged by ambiguity. 

Even though I hate them, I still try to solve them when they do pop up my feed. I would never share any joke of this kind on my own page but I can't pass up a puzzle when I see it scrolling by. Maybe it's just me. But I hate these kinds of jokes. 


Wednesday, August 12, 2020

Today I looked at a giant picture of my own eye and it was scary

I went to the optometrist's office today to get a floater in my eye checked out. During the process, I had to look at a close-up picture of the inside of my own eye. 

I can never understand how surgeons and other people who work with flesh and blood do what they do. And it's even weirder when I'm the one looking at my own internal organs. Like, the three places you don't want to see close up are the inside of your ear, the inside of your nose, and the back of your eye. They all make one feel especially strange when looked upon. 

This is a peculiar feeling, and that's about all I have to say about it. 

On to one of the questions I've always had. I've done finicky work with small parts (instrument repair) and at least once per overhaul I would make a rather serious mistake. Breaking a spring, adding a dent, losing a screw. How do surgeons deal with mistakes like these? Do they just not happen because of experience? Or do surgeons just have hands that are adept enough to fix all of their mistakes before they spiral out of control? 

I could google it but I'm not certain I'll find an answer. 

Also, how do surgeons practice? I would think that operating on a live patient would be too dangerous to let a beginning surgeon do. So, how do they gain experience? Cadavers? How many cadavers does it take to make a competent surgeon?

Anyways, these are the questions that I want answered. Maybe you can find out the solution for me. 

Sunday, August 9, 2020

Cyberpunk: Meme Edition

It was only a matter of time before state of the art technology was used to meme. This meme trend, labeled "dame da ne" features a Japanese song from the game Yakuza being sung by deep-faked celebrities. This is science fiction as it truly ended up becoming. I do not believe that a single sci fi writer from before 2010 ever imagined that this is how we would be using actual science fiction-esque technology. 

Here's the video. Try not to be wierded out. 



Yikes. Nobody could have expected this technology to become a postmodern joke template before it was used for a legitimate purpose. We are in the future, boys. A future where technology capable of transforming life as we know it begins as a way to make people laugh. If I were to travel back in time in a Delorian, and were to show this to anyone, they would not believe me. 

I have to admit, though. It is pretty funny. I believe this meme marks the beginning of the AI revolution. Also look up GPT-3. You'll be surprised at how smart these programs are.